LOS ANGELES — Ryan Potter has always had a desire to fly. He believes the reason a lot of his dreams are about him soaring through the skies has to do with the animation he watched — such as Hayao Miyazaki’s Castle in the Sky — while growing up in Tokyo.
Now he has the chance to spark similar dreams in others, as Potter reprises his voice work as Hiro Hamada from the 2014 feature film Big Hero 6 for the new animated special cable presentation Baymax Returns, airing Monday on Disney XD and Disney Channel. The two-part program will serve as the starting point for a series launching in 2018.
“Being able to watch my character in Big Hero 6 fly on screen is a full-circle moment for me,” Potter says. “Castle in the Sky is one of my favourite films because 15 years later, I am still having such an emotional and visceral response.”
The flying his character will be doing is over the fictional city of San Fransokyo as Baymax Returns picks up immediately following events in the film. Hiro is trying to deal with the fact the compassionate, cutting-edge robot Baymax that his brother created is lost forever. That changes when he discovers the chip his brother Tadashi designed to create Baymax and uses that to rebuild the robot.
Along with Potter, reprising their roles from the feature film are Maya Rudolph as Aunt Cass, Scott Adsit as Baymax, Jamie Chung as Go Go, Alan Tudyk as Alistair Krei, Genesis Rodriguez as Honey Lemon, David Shaughnessy as Heathcliff and Stan Lee as Fred’s dad. Also joining the main voice cast are Khary Payton as Wasabi and Brooks Wheelan as Fred.
Executive producers Mark McCorkle, Bob Schooley and Nick Filippi, the team behind the Emmy Award-winning Disney Channel series Kim Possible, have been working on bringing the series to TV for three years. Their approach is to look at how, in the original film, Hiro was headed down the wrong path and now he has a chance to redeem himself.
Big Hero 6 took in more than $650 million at the box office around the globe. Potter’s theory on what it was about the movie that struck such a nerve is that it is a story of friendship,
of redemption and a very offbeat version of a boy-and-his-dog tale.
“Ultimately, the project is colourblind, and I think that is why it did so well,” Potter says. “There’s no mention of ethnicity, colour, height, age. Everybody is who they are and they are just accepted for that. There are never any moments of bringing up physical traits. We will talk about people’s behaviour, but there is no one discussing anyone’s personal appearance.
“I think that is really important for kids to grow up watching that kind of content. It kind of paints a picture that there is a future out there where there will be no borders or boundaries.”
